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Apple Music has announced its latest ‘Up Next’ roster for Africa, spotlighting four emerging artists poised to shape the continent’s sonic future. The 2026 class features Nigeria’s Lovn, Tanzania’s Vanillah, Ghana’s Haeven, and South Africa’s Umzulu Phaqa. This selection highlights a strategic industry shift toward hyper-regional storytelling, elevating localized sounds like Bongo Flava and isiZulu narratives to a global audience.

Key Highlights
- Program: Apple Music Up Next (Africa)
- 2026 Inductees: Lovn (Nigeria), Vanillah (East Africa), Haeven (Ghana), Umzulu Phaqa (South Africa)
- Listen: Up Next playlist here https://apple.co/3P1oTxn


Four New African Artists Are Bringing Deeply Local Sounds To Global Audiences
For years, the global exportation of African music relied heavily on a sanitized, club-ready version of Afrobeats. But as the market matures, streaming giants are adjusting their algorithms to favor something far more nuanced: hyper-regional authenticity.
Apple Music’s latest ‘Up Next’ artist development roster for Africa serves as a clear indicator of this pivot. The 2026 class featuring Lovn (Nigeria), Vanillah (East Africa), Haeven (Ghana), and Umzulu Phaqa (South Africa) eschews generic pop in favor of deep cultural storytelling and localized soundscapes.
In The 2026 Roster
Rather than chasing the next viral dance challenge, Apple Music’s editorial team has selected artists who are actively bridging heritage with modern production.
Nigeria
Signed to Don Jazzy’s Mavin Records, Lovn is preparing his debut album, Soundbender (dropping April 17). His competitive edge lies in fusing classic Nigerian fuji music with contemporary Afrobeats.

East Africa
Tanzanian multi-instrumentalist Vanillah, operating under Kings Music Records, is reshaping the regional soundscape by polishing Bongo Flava into a globally exportable Afro-pop hybrid.

Ghana
Haeven represents the alternative, fusing hip-hop grit with soulful introspection. Her project Gated Community explores complex themes of grief and rebirth, proving that West African music is not strictly confined to the dancefloor.

South Africa
For the South African market, the induction of Umzulu Phaqa is particularly telling. Born in rural KwaZulu-Natal, her music is heavily anchored in isiZulu narratives, blending Afro-soul, house, and hip-hop.

She first gained traction not through a highly polished studio rollout, but via her 2025 single “Mam’gobhozi,” which was intentionally released raw and unmastered to preserve its cultural bite. Her subsequent collaborative project with MsFit, audaciously titled And The Grammy Goes To!, solidified her reputation for sharp lyricism and unapologetic cultural commentary.
“My goal is to be a global superstar while staying grounded in my culture,” she stated regarding her Apple Music induction.
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